Honestly, I'm not usually for internet videos. They tend to represent the internet in a visual form: Mean-spirited, and nowhere NEAR as funny as they think they are.
But, while I was surfing on HJU, I ran across this video by Linkara from AtopTheFourthWall (great name) entitled History of the Power Rangers. For whatever reason, this blogger decided to go through each of the seventeen Power Rangers series, one by one, doing a cross between a description and a review of each one.
Initially, I thought it would be yet another "Abridged" deal, and he'd just toss out as many harsh criticisms as he could find about each show, and given that for some people, somehow, its cool to diss Power Rangers, I figured it'd get pretty bad. But I watched the first one anyways.
...Surprisingly, I was completely wrong. While I expected a mocking of the biggest part of my childhood, I got an honest, analytical look at Mighty Morphin' Power Rangers. Yeah. Read that twice. He explored the good characters (the Rangers), the bad (Rita and her army), even the side characters (Bulk and Skull!). He even talked about the themes present in the first season. I didn't even know Power Rangers HAD themes! (Granted, its been 15+ years since I saw the first season.)
But you know, that wasn't really enough to warrant an article on JiH until I saw him do Power Rangers Zeo. Check it:
So, there's been a title change. It's might be the most obvious title possible, but it fits far too well for me to toss it. Anyhow, when we stopped at the end of volume one , Negima was still a fairly standard harem series. There's lots of cute girls and the series is literally drowning in fanservice, with boob size contests and every girl getting upskirted everytime Negi sneezes. Volume two is where Ken tries to make some slight changes to the formula, carefully introducing some fringe shonen tropes.
Hi, guys! Welcome to the newest column on Jumping in Headfirst, where I discuss one of my favorite manga ever: Mahou Sensei Negima! Negima was created by mangaka Akamatsu Ken, most famously known for his work on the archetypal harem series, Love Hina . After Love Hina's massive popularity earned him a spot as one of the most famous mangaka of his era, he followed up with Negima. What initially looked like more a more fantastic version of Love Hina, the series gradually transitioned from a harem series into one of the best shonen manga I've ever read, complete with a massive, well developed cast, deep lore and amazing fight scenes. (Ones where "friendship" isn't the sole reason for every victory.) Unfortunately, few people are aware of Negima's story improvements or genre change. Once a manga gets an anime the attention shifts entirely to the adaptation. It makes sense: the addition of voice, music, and motion create more immersive experie...
(Reposted with minor alterations from my Resetera post .) I've always had the opinion that Man of Steel is a fine movie. Occasionally my stance is it's a great Dragon Ball Z film, and a mediocre at best Superman film. It never really made me angry, because there ARE some good parts to it. But last night I read Superman: Birthright and Superman: Secret Origin, and the more I read of each one, the more I realize that I only think Man of Steel is "fine" when viewed in a vacuum. When specifically compared to Mark Waid (or even Geoff Johns') comics, Man of Steel goes from "yeah, whatever" to embarrassing. How could anyone have looked at that film and thought it could be a decent representation of Superman? The best parts of it are the beginning where they show Kryptonian society, and the fight scenes (like I said, DBZ). It's boring-ass muted colors and a Superman film that's trying so hard to get across a bunch of lazy metaphors a...
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