Friday, September 25, 2015

Bottom of the Pile - Sept. 23rd, 2015

I'm pretty sure I was waiting this entire mini-series to see if they'd pull the trigger on a steampunk Iron Man.   So, y'know...much obliged. 

Friday, August 28, 2015

Sage's Stray Thoughts 21: Batgirling? Seriously?

And here we are again.

Bottom of the Pile - Aug. 19th, 2015

And we return again.
Amazing Spider-Man: Renew Your Vows
And so we learn the true purpose of the Regent doing all this power stealing: he's trying to gain enough power to defeat "god Doom". 

A few thoughts about all these spin-offs: most of the parts of "Battleworld" have major..."issues" in one way or another.  They're war-torn, or conquered and being ruled by some overbearing despot, or just contain such hostile environments that anything other than "survival" is a luxury goal. A couple months ago I theorized that Doom picked specific worlds, and the more I read from these mini-series the more sure I become about that.   Most of these worlds are far too disorganized to even notice Doom, let alone attempt to fight the guy.

Even in the case of guys like these or Future Imperfect's Maestro?  They're vastly overestimating their own abilities and vastly underestimating Doom's, and so any attempts to try and overthrow him, especially through violent means, are doomed (ha!) to fail.

The other thing I noticed is that, typically, the heroes here just...aren't as heroic.  The idea behind Marvel's primary universe is that even though the main heroes there make mistakes, when it really counts they always make the right decision.   But here, the heroes often come up short.  Like, a world where Spider-Man chooses his family over the rest of the world.  

Tuesday, August 4, 2015

2015 Gamescom Microsoft Liveblog

Saturday, July 4, 2015

Bottom of the Pile: Jul. 1st, 2014

JiH's longest-running column returns. 


For Doom to have "crowned" barons of each realm, it sure seems as if each one's hold on their power is just as, if not more precarious, as it would be on the real world.   Also, it seems like the ladies of A-Force just can't stay out of trouble.  After losing junior member Miss America during what should've been a standard "stop the giant monster wrecking the city" mission, they're right back to crossing the barriers between realms.

Still and all, the novelty of seeing all the major lady heroes of the Marvel Universe hasn't worn off and likely won't, which means I can keep my hype for the inevitable re-launch of this book during Marvel October.

Amazing Spider-Man: Spiral
Mr. Negative displaying some actual common sense--something that would probably crack most of the secret identities left if used in more stories.   "How do you know who I am?!"  "Motherfucker, I gave you this really specific information that no one else could have known, and then inexplicably a vigilante of your exact build popped up.  Do you think I became a crime boss without being able to add 2 + 2?"

He even repeated the experiment in order to confirm his findings.  Dude's not only a good businessman, but a half-decent scientist too.  

Anyway, Spiral is everything I wanted from a Gerry Conway Spider-Man story in 2015.  It manages to remember the noir-ish roots Spider-Man had during the Spectacular comic in the 80's, keeps Spider-Man trademark humor ("These guys?  I hate these guys!"), but updates things with a modern sensibility.  For that matter, it also manages to include both females and minority characters without being hamfisted about it, something a ton of writers these days still don't have down pat.   Reading this, now I'm bummed that the only thing Conway's doing in October is a Carnage comic, and not something about the Wraith or just a Spider-Man comic that focuses on street crime.  

Future Imperfect
So, we're just going to do a "Peter David's greatest hits" with this book, I see.   Not that I have a problem with that--a greatest hits mini-series from PAD is leagues above some writers' best work.  Bonus points if Layla here is still somehow the one from the main Marvel Universe and she's gone right back to "knowing things"--though that might have just been the purview of child Layla.  

Secret Wars
So: A quick rundown.  Midway through the series (and this should've happened far sooner), the raft from the main Marvel Universe is revealed.  Dr. Strange, who's been working with Doom since they first went to fight the Beyonders, apparently found it three years ago but decided it was best if he kept it sealed--the only reason he opened it at all is because the one containing the Cabal from the Ultimate Universe popped open and some people were inside.

So half-way through this crossover, we finally release the few heroes who were on the Raft--including amongst other people, Reed Richards and Cyclops bearing the Phoenix's powers.  Doom immediately shows up once he sees Reed, claiming that something to the effect that this is the first time he's found a Reed Richards.  Okay, let's stop there and discuss for a second.   That has to be a crock of shit, right?  "Battleworld" is made of the remnants of roughly 20 or 30 Earths and you're telling me that none of them had a Reed Richards?   My theory is a bit darker, but probably a lot more likely: They've already established Doom as "omnipotent, but not omniscient" which means he probably doesn't actually have the proper mindset to control all of the power he DOES wield. 

The Beyonders were strong enough to wipe out the Celestials--in every universe--wholesale, and he has the power of at least one, if not all of them.   So he gains this power and starts assembling the remnants of worlds into a single planet--a ridiculous concept in itself, but one you buy it questions start to arise.  Why these realms, specifically?   Why so few?   Are these all that were left or did you pick and choose?   When you start asking questions like that, there are certain semi-logical assumptions like:  These realms were hand-picked.  There were others, but Doom let them fall.  He chose areas that would be highly unlikely to mount up any sort of offense against him--that's why so many of them are war-torn wrecks of his actual world.  They're so busy trying to survive in their own worlds that they don't have time to deal with Doom.  And there's one other rule: Reed had to be dead, disgraced, or simply did not exist on any of them.  Because why would you have "all power" and then just allow your greatest enemy to have happiness?  It doesn't track.

In any case, the next thing that happens is Doom pops up to break up a fight between the Cabal, his Thors, and the heroes from the "original" world.   During that fight, Cyclops has full Phoenix Force powers and decides to fight Doom--which lasts all of twenty seconds.  Tops.  But it gives Strange enough time to teleport the others away before Doom finally offs Cyclops, snapping his neck.  Now, this has to be going somewhere, right?   The Phoenix Force is the "spirit of rebirth", and Scott had nothing to do with this story until the tail end, only to die in a most unceremonious way after having this huge speech about "burning something down and raising something better".   There's no way he doesn't pop up in an Eleventh Hour moment to allow everyone a couple more seconds to take out Doom and "fix" things, right?

Or maybe not.  "Old" Cyke was nowhere to be found in Marvel October.  Maybe him and Logan are just dead and alt. universe versions of them will be around in their place from now on?  That'd be...different, I guess.

The Omega Men

I tackled both issues of The Omega Men this week in order to see what happened to my favorite GL, and all I got from the experience was a headache.  As expected, he's not actually dead.  The story takes place in the Vega System, and you can tell they're trying to do a sort of "rebel forces versus the empire" story here.  And that's cool, but I've got a few problems:

- The first issue was largely gibberish.  Like, real talk it's alien symbols and repeated phrases from this made-up religion we've known all of, issue for most of the dialogue.
- Two issues in and there's no proper introduction to the team of Omega Men.  Seriously, I'm not asking for much here: just some tiny boxes that give a name, maybe their powerset or some cute, funny quote.
-  I've got no real reason to root for the Omega Men.  I don't know if they're good guys, bad guys, or anti-heroes--I just know the first issue saw them brutally murder a ton of "army" guys, and the second they let five thousand innocent bystanders get their brains blown out.
- This thing about Kyle and his ring.  It doesn't track--even when Kyle was a Green Lantern he could summon his ring from great distances.  Now that he's a White Lantern the ring basically is him, so why is he running around as a normal human.  Come to that, why is he obeying old-ass Guardian rules about the Vega System when he's not a Green Lantern anymore? 

I'm not discounting Omega Men yet--it could still be great.  But it's moving way too slow for me to have this many issues with it.   40 pages in and they haven't pulled the curtain back enough to invest me in this story--that's going to have to change, and soon.

X-Tinction Agenda

Even alternate timeline Beast characters can't stop themselves from screwing about with the timestream, I see.  I've got a feeling this is going to be one of those character traits that just *sticks*, y'know?   The same way whenever someone bring up Hank Pym in other timelines they're going to reference him being abusive, Beast is going to be the dude who pulls people from the past in order to make him feel better about the present.

Years of Future Past

And, worst single page of the week goes to: Years of Future Past.

For fuck's sake, I have no idea how this got through the editors.  Considering that it's a perfectly enjoyable issue without it, and that you could cut it with only minor edits, it becomes doubly confusing.

Mid-way through this comic that's ostensibly just "more of Claremont's Days of Future Past", Colossus drops a mini-essay/long-ass Tumblr post on us on a single page with a blank-ass background.  Not even the most hamfisted attempts at social commentary in comics have ever been this lazy.  If you couldn't give the extra pages to the creative team then this whole bit should've been left on the cutting room floor.

And y'know, Colossus kinda-sorta has a point about how eugenics start out as "just a joke" so it's not like I'm trying to rail against that.  What I find insulting is that ignores the most basic tenet of comic storytelling: it's a VISUAL medium.   This needed at least another page so that it could've been a speech wrapped up in a story, told using multiple panels that maybe guided the reader from how things are now to how they got to be so awful.  Instead I got to this page and wondered why I was suddenly being assaulted by so many words that I didn't really even need to slog through since like I said it barely affects the story.

*sigh*  Oh well.  It was all worth it for the appearance of (Giant!)Lockheed at the end.  

Saturday, June 20, 2015

"Dope" Review

"If I told you I killed a nigga at 16, would you believe me?
Or see me to be, the innocent Kendrick you seen in the street
With a basketball and some Now-and-Laters to eat,
If I mentioned all of my skeletons, would you jump in the seat?
Would you say my intelligence now is great relief?
And its safe to say our next generation maybe could sleep
With dreams of being a lawyer or doctor, 
Instead of a boy with a chopper, that hold the cul-de-sac hostage?"

That verse from Kendrick Lamar's "mAAd city" shows off the inescapable duality of the black youth--the one that allows us to be viewed through one set of eyes as the "good" or "safe" kind of black through our personalities or manner of speech, while an entirely different pair could see us as merely gangsters or thugs just for our clothing choices, even though more often than not we all have similar backgrounds, and any of us could be forced at any time to do less than savory things in order to survive in our surroundings.

It also shows off the incredible versatility of the characters in the film "Dope".

"Dope" is the story of Malcolm Adecombi, a geek...and a bit of a hipster.  He's awkward, and wears clothes twenty years out of date because he's obsessed with the nineties.   He wears a high-top fade, and spends his free time in music shops buying albums on wax and watching old episodes of "Yo! MTV Raps". He even owns a Super Nintendo, even though a kid his age would've been born two years after the Playstation-era would've started. His friends--an Indian kid named Jib and tomboyish lesbian named Diggy--are the same way, which leaves them ostracized and bullied.  After a chance invite to the party of a drug dealer named Dominique (played by rapper A$AP Rocky), the three find themselves in over their head when a drug raid leaves them escaping the party with a backpack full of MDMA (or "Lily", as its come to be known later in the film)...which they're forced to sell to avoid "accidental" death by the drugs' owner.  The rest of the film consists of the hijinx involved in getting rid of  the backpack full of "Lily", all while Malcolm prepares for a potentially life-changing interview in order to get into Harvard.

What I liked most about "Dope"--aside from its excellent soundtrack--is its refusal to adhere to stereotypes.  Though the film is ostensibly about a trio of geeks, they're all street smart (and actual smart) enough to avoid being caught (or killed) by the cops, or by the seemingly endless amount of gangsters and/or drug dealers found in the film.

And while the film is meant to be a coming of age story, most of the major tropes that would be found in a coming of age film are downplayed to a degree that they're barely noticeable, or turned on their head.  There's a love interest, but she isn't the driving motivation for every single change the main character undergoes in the film.  They don't magically gain the respect of everyone in the school after some "heroic" moment that makes their senior year "legendary"--though they do gain the respect of some Piru gangsters after a night that could very well have gotten them all killed.   Make no mistake though, this is absolutely the story of a boy becoming a just takes some unfamiliar paths and a few detours to get there.

That said, the film isn't without its flaws as its an incredibly "busy" movie.  Characters are barely introduced before they're shuffled off-screen, which becomes amusing when so many "coincidences" cause characters to be re-used in so many different parts of the film.   It's also a bit too light-hearted--the laughs are still coming long after their lives are put in danger multiple times.  The only one with a proper character development arc is Malcolm.  And the film runs a small risk of being a bit too modern--the crux of the film centers around Malcolm having people buy the drugs off him using the highly volatile cryptocurrency Bitcoin, and claims that the currency will eventually take over the global economy.   The claim's a bit farfetched, and to be honest I kept waiting for the film to take a hard right on the guy and tell him that the bottom fell out on Bitcoin and all the "currency" he'd gotten from selling drugs was suddenly worthless.

And since the movie's tone was basically all over the place, even after he'd figured his way out of the predicament I kept waiting for the other shoe to drop and see one of them get killed or something.  Fortunately that never quite happened, and the film gets a (mostly) happy ending.

But despite all that, Dope still stands a chance of being my favorite movie of the year.  Definitely my favorite so far.  The soundtrack mixes classic 90's hip-hop, old soul tracks and even some catchy punk rock tunes in a way that always seems to fit perfectly.   And the film is extremely topical.  From multiple discussions over white people's increasing familiarity with the n-word, to the duality I was talking about at the beginning.  By the end of the film, Malcolm has been forced to make a number of questionable decisions.  He's got known ties to drug dealers and other people of shady professions, he's still the teenager with the straight A's, trying to make it into a prestigious college and bring his mother out the 'hood. So which is the real Malcolm?

It's this question, being posed at a time where blackness itself seems to be coming under fire in America (figuratively and literally), that makes this film for me.  Dope's closing speech questions the idea of "good" or "bad" blackness--dragging the absurdity of the notion itself into question.  And there's a very purposeful choice made during the speech that resonates with some of the more unfortunate treatment of black youth lately that tied the whole thing together for me.

"Dope" is what one might call a flawed masterpiece.  It's by no means perfect, but it deserves at least one, if not multiple, watches.

Friday, June 19, 2015

Rating the Conferences: Square-Enix

If Sony hadn't taken it, these guys would've gotten the best in show.  Easy.

Rating: A-

Sometime last year, I did this enormous post on NeoGAF talking about all the games we could see during that E3.  I did a ton of research for that, and during that time I realized how easy it would be for Square to do their own conference if they wanted to.

Well, lo and behold here we are a year later and Square has popped up with the strongest conference from a non-console developer.  (They topped Nintendo too, but I’ll get to that in a second.)   Square’s probably the most well-rounded developer making video games right now.  No other developer could’ve offered you as many big budget titles from so many different genres and settings.  

Barely two weeks ago, I was calling Square the equivalent of a significant other that’s a jerk—they ignore you for weeks, refuse to do anything around the house, but then just when you’re almost out the door they show up with roses explaining how they want to have dinner at the place you had your first date.  I think my opinion’s changed a bit.   Now I think they’re more like a best friend who keeps playing practical jokes on you for cheap laughs but always has your back when it actually counts. Maybe that’s a bit of a lengthy metaphor, but let’s think for a moment about the way they rolled out Kingdom Hearts 3.  They bring up Kingdom Hearts…then show off a mobile game.  Then they specifically bring up KH3…then do a developer interview.   Then they bring it up again…only to point out a dude cosplaying as a KH character, before finally unveiling gameplay.    I don't think there's another developer quite as skilled at trolling as these guys.

Just about everything here was a heavy-hitter.   There were a handful of mobile games, to be sure.  But we also got the new Hitman, Rise of the Tomb Raider, Deus Ex: Mankind Divided, Just Cause 3, Kingdom Hearts 3, and Star Ocean 5.    And yeah, we’d seen Final Fantasy VII: Remake the night before, but how mad can you honestly be about that?  If I were Sony I would’ve nabbed that to show off too.  The only thing I’m even slightly annoyed about is how they couldn’t be bothered to get another CG trailer to show off.  It might be too soon for gameplay, but you could’ve at least given us that.

Even my opinion on World of Final Fantasy changed.  Knowing we were getting “real” FF titles, I was open to the idea of playing through a cutesy version of this franchise while I wait on VII and the VI remake that’s probably happening but hasn’t been confirmed yet.

And oh man, does Star Ocean look beautiful.  One of my favorite PS1 franchises beside Suikoden and Lunar, I was ecstatic when they revealed I’d finally get a fifth incarnation of this title, and so far it looks to be living up to expectations.  Seamless battles look great and the larger cast seem like they work together well.

The only drawback this show had were some minor pacing issues when going from game to game.  But considering it’s their first conference in like ten years or so, I’ll give that a pass.  Hopefully they’ll be back next year with a better idea of how to handle a conference and another look at all their major games, as somehow I think they’ll have just as much to show off then.